“Sing to the Mountains” is really not all that bad, if you imagine it being sung by the Muppets.

From the comments here.

Here are Dylan’s improved lyrics to “Gather Us In.”

Here’s a little something for Yes fans.

An old interview with the late Martin Gardner. (Via .clue.)

Dr. Hoo. (Via Pixy.)

Public Library Ninja.

Miku does Mozart.¹

“She was warming to him, he could tell, but …”

1. Background on Hatsune Miku here.↩

Spotted at Costume-Con 28:

Update: I’ve uploaded the first batch of pictures here.

*****

Don’t waste your money and time on Hollywood drivel. Watch The Secret of Kells instead.

I recently discovered that John Stump, the composer of “Faerie’s Aire and Death Waltz,” wrote other pieces of music, including the “String Quartet in A Minor (Motoring Accident).” A tribute to Stump, with scans of his scores, can be found here.

More remarkable scores can be seen here, here and here. Some of them have been performed.

Even if I had a television, I wouldn’t be able to watch Al ‘n’ Me. It’s broadcast only on “Metromedia,” which is not available in most markets at this time. Until that classical-era sitcom receives the wider distribution it deserves, you’ll have to make do with Acropolis Now, featuring such low-lifes as Heraclitus and Aristophanes and their mother the Oracle, and Socrates and Plato. A degree in Classics is not necessary to appreciate the show.

If you prefer modern, interactive entertainment, here’s the do-it-yourself Bayeux Tapestry.

(Via Maureen.)

If you don’t check Dr. Boli every day, you should.

*****

Via Cliff, here’s a little musical story:

C, E-flat and G go into a bar. The bartender says, “Sorry, but we don’t serve minors.” So E-flat leaves, and C and G have an open fifth between them. After a few drinks, the fifth is diminished and G is out flat. F comes in and tries to augment the situation, but is not sharp enough. D comes in and heads for the bath­room, saying, “Excuse me. I’ll just be a second.”

Then A comes in, but the bartender is not convinced that this relative of C is not a minor. Then the bartender notices B-flat hiding at the end of the bar and says, “Get out! You’re the seventh minor I’ve found in this bar tonight.” E-Flat comes back the next night in a three-piece suit with nicely shined shoes.

The bartender says, “You’re looking sharp to­night. Come on in, this could be a major development.” Sure enough, E-flat soon takes off his suit and everything else, and is au naturel. Eventually, C sobers up and realizes in horror that he’s under a rest. C is brought to trial, found guilty of contributing to the diminution of a minor, and is sentenced to 10 years of D.S. without Coda at an upscale correctional facility.

Occasionally reviews are worth reading.

Transmission of music data at rates faster than the speed of light seemed convenient, until I realized I was hearing the music before I actually wanted to play it. Apparently Denon forgot how accustomed most of us are to unidirectional time and the general laws of physics. I tried to get used to this effect but hearing songs play before I even realized I was in the mood for them just really screwed up my preconceptions of choice and free will. I’m still having a major existential hangover.

Would not purchase again.

(Via Peeve Farm.)

(Via Wonderduck.)

Update: the original file is 1920 x 1080, though you need to download it to your computer to see it at that size.

Frëd Himebaugh of the Fredösphere has composed a fifteen-minute opera using Terry Bisson’s short story “They’re Made Out of Meat” as the libretto. You can purchase it here. See also Frëd’s earlier posts here and here.

*****

Here’s one of the more impressive videos I’ve seen recently. The characters and tune are from the vast Touhou project, but you don’t need to know anything about that to appreciate the phantasmagorical transformations.

Celebrating well-groomed, cuddly predators …

Schoenberg’s Opus 11, performed by cats.

Visiting a cat cafe.

A new “Simon’s Cat.”

… and the 88 counties of Ohio.¹

(Via Frëd, Lynn and Charles G. Hill.)

1. “… this little application is not at all idiot-proofed, so my apologies if you are an idiot.”↩

Here’s the story.

This tune is part of a long tradition in music. An earlier example is No Strings Attached’s “Broken Key Boogie,” which commemorates modifications to Randy Marchany’s keyboard made by another airline (TWA, if I remember correctly).

Charles Ives is often celebrated for having anticipated many of the innovations of twentieth-century music. Less often noted is that he also anticipated, if that’s the right word, P.D.Q. Bach. Some years back, an acquaintance for whom I played a recording of Three Places in New England was scandalized by the second movement — real music isn’t supposed to be funny, he said. (Tell that to Mozart.) Here it is, the ideal music for the Fourth of July:

It’s become trendy in recent years to complain that the music of P.D.Q. Bach overshadows that of the composer Peter Schickele. I’ll grant that the humor is hit-and-miss, with misses predominating on the later recordings. Sometimes, though, the jokes work. Here’s the fourth movement of the “Unbegun Symphony.”¹

If you’ve got a couple of hours to kill while waiting for it to get dark enough for fireworks tonight, why don’t you invite 35 of your closest friends over with their instruments and run through some American music of a different sort. Here’s the score to Terry Riley’s In C.

1. Strictly speaking, this isn’t P.D.Q. Bach, since Schickele claimed it as his own, so to speak.↩

… to Wichita???

More very miscellaneous links:

An excess of empathy?

Jimmy Webb, theologian.

“Lord Byron was a vampire? You would have to pay me money not to believe that.“

From a discussion in the comments at TSO’s place:

>Reminds me of my System/360 days when we had to suggest to the programmers that rather than ask the operator at the console to type “1 for Yes, 2 for No”, the program should request “Y for Yes, N for No”.

>And what’s wrong with “1″ for Yes and “2″ for No exactly?

>One for yes and two for no is great if you have at least one position to the right of the decimal point.

>”And what’s wrong with ’1′ for Yes and ’2′ for No exactly?” 1thing.

Via Ken the Brickmuppet, who also found this bit of nostalgia:

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