American music
Charles Ives is often celebrated for having anticipated many of the innovations of twentieth-century music. Less often noted is that he also anticipated, if that’s the right word, P.D.Q. Bach. Some years back, an acquaintance for whom I played a recording of Three Places in New England was scandalized by the second movement — real music isn’t supposed to be funny, he said. (Tell that to Mozart.) Here it is, the ideal music for the Fourth of July:
It’s become trendy in recent years to complain that the music of P.D.Q. Bach overshadows that of the composer Peter Schickele. I’ll grant that the humor is hit-and-miss, with misses predominating on the later recordings. Sometimes, though, the jokes work. Here’s the fourth movement of the “Unbegun Symphony.”1
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If you’ve got a couple of hours to kill while waiting for it to get dark enough for fireworks tonight, why don’t you invite 35 of your closest friends over with their instruments and run through some American music of a different sort. Here’s the score to Terry Riley’s In C.
- Strictly speaking, this isn’t P.D.Q. Bach, since Schickele claimed it as his own, so to speak.↩
Tags: Charles Ives, Humor, Music, P.D.Q. Bach, Terry Riley
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July 7th, 2009 at 10:01 am
I remember endlessly listening to cassette tapes of PDQ Bach when I was a teenager (instead of Michael Jackson). My favorite one was the libretto that ended up being about a runny nose.