I had been planning to purchase at the the first few discs of Soul Eater when my budget permits. However, if you force me to endure the preview of the SE dub every time I watch an episode of Baccano!, I might change my mind.¹

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I don’t know which is more depressing: the number I don’t recognize, or the number that I do.

(Via Anime Raku.)

Update: Raiga in the comments links to a spreadsheet with explanations.

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Naming your kids after anime characters is a dumb idea, but it’s no worse than calling them “Jimi Hendrix” and “Janis Joplin,” as did one erstwhile neighbor.

1. Yes, I know ways around this, but it’s still inexcusable. Also, every time I see the unskippable antipiracy notice, I feel a sudden strange urge to make illegal copies of every DVD I own. [↩]

Exceedingly miscellaneous links and videos.

Via Jonathan T., Jonathan C. on “adapting” anime for western viewers.

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From kowai to kawaii: the Queen of Night’s aria, sung by Hatsune Miku:

Update: This aria (but not this particular “performance”) has been voted one of the top ten arias of all time. (Via Steven R.)

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Mono no aware: Steven Greydanus on the trailer for Tales of Earthsea:

Here is a mainstream Japanese animated film with a trailer that has an evocative, haunting power that eludes virtually the whole of American animation—and that’s just the trailer. And it’s not just American animation either, but pretty much the whole Hollywood machine. What was the last Hollywood box-office blockbuster that made you think of beauty, loss, longing and mystery? (Yes, other than The Lord of the Rings.)

Whether this particular film turns out to be good or not, it’s part of a cinematic culture that aims at, and sometimes achieves, something that isn’t even on the radar in Hollywood. This trailer reminds me of how I felt during the first five minutes of Howl’s Moving Castle, even though the film ultimately turned out to be a disappointment: Just the promise of the first five minutes, even a promise unfulfilled, was worth more than some American animation studios have delivered in whole films if not their entire outputs.

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American mecha: spiders for now, but eventually they’ll get to Gundams and EVAs (via the Borderline Sociopath):

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The Lelouch Lamperouge Picture Show: Is there such a thing as “anime camp”?

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I suppose it’s not that surprising that there is a large fanfiction community devoted to Ranma 1/2-Sailor Moon crossovers. Still, I did not expect to find a Sailor Ranko webcomic.

Do not click here.

Don’t click here, either.

I’ve downloaded a number of first episodes from the fall and winter seasons, but I have yet to make it more than half-way through any of them. Some might actually be worth watching, e.g., Durarara, but I’m just not in the mood right now. I sent off an order for some older titles yesterday — the Ghost in the Shell: Stand-Alone Complex, Moonphase and Black Heaven boxed sets (and a set of El Hazard playing cards) — but those are likely to remain in their shrink wrap for a while. I have things other than anime on my mind, and if I do pop a DVD into the drive, it more likely will be an old favorite like Shingu than anything new.

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A couple of silly links:

Another example of silhouette animation, this one recounting the avian terror in Clerkenwell.

If you play Dungeons and Dragons, stay out of prison in Wisconsin.

When it involves £10,000′s worth of plastic surgery.

show

(Via Dustbury.)

Not anime, but of interest to science-fiction and music fans: Frëd Himebaugh of the Fredösphere has composed a fifteen-minute opera using Terry Bisson’s short story “They’re Made Out of Meat” as the libretto. You can purchase it here for 89¢. See also Frëd’s earlier posts here and here.

•••••

In case there’s anyone who hasn’t yet seen it, here’s the best Touhou video I’ve seen in a while:

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Catholic News Service apparently didn’t think to google the name they chose for their multimedia service.

1. Underwear goes under your other clothing.¹

2. Heath Ledger’s Joker might be a great character, but the makeup is ugly.

3. Please don’t shriek when you’re standing next to me.

4. An all-ages anime convention is not an appropriate place to lead your pet about on a leash.

5. Please don’t stage large group photos in the middle of congested hallways.

1. And a bath towel cape looks really stupid. [↩]

Here are some curious items from the most recent batch of search terms:

heresy is not kawaii
gurren lagann knitting
cowboy bebop knitting
knitting anime themes
ponyo on a stick
sailor moon cardboard cutout
a religion based off of sailor moon
canzoni kawaii
languid gay charles solomon
gender critics are idiots
anime girl wolf boy frog
haruhi peanuts
kawaii the murderer pics
safe for work babes
oink supervisor

There were a few that make me glad that I am unlikely ever to meet the searchers:

anime manly girls
armpit hair pictures
kawaii tentacle monster

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Anime cosplayers are normal, sane people — at least compared to these.

Via Steven, who recently discovered Pokémon. (Update: note the third-place item in this list.)

Ubu, meanwhile, has discovered RahXephon. In a comment at Ubu’s place, Avatar confirms what I had suspected:

RahXephon was a show where we constructed a couple of really elaborate theories that explained everything, wrote off to Japan with a “so which one is it, we need to know for the translation”, and got back “huh? We did all those things because they looked cool.”

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I recently watched the first two episodes of El Hazard: The Magnificent World. Good grief. Here’s our hero:

I really wonder sometimes: do Japanese boys want to be girls? If you think I’m exaggering, count the thumbnails on this graphic:

The first El Hazard OVA was written by Ryoe Tsukimura. He also wrote the scripts for the first Tenchi Muyo! movie and the many UFO Princess Valkyries. They have their moments, but they’re all essentially anime junk food. Most of the rest of Tsukimura’s output looks similarly undistinguished. However, he does have one classic to his credit, Noir, which was his idea and his script. In this, he reminds me of Kou Ohtani, a competent, unmemorable soundtrack composer who on one occasion exhibited afflatus.

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Since I closed nominations for the current poll, commenters have mentioned Ghost in the Shell, Tenchi Muyo GXP, Kimagure Orange Road, Spice and Wolf and Wolf’s Rain. The first has been mentioned twice (the second time in an email), so I’ll probably add it to the second round candidates. Would anyone care to second any of the other series?

Should Haibane Renmei be rated “R”?¹

(Via Strange Herring.)

1. Yeah, Haibane Renmei is not a “film.” The point remains. [↩]

And besides, I don’t really see how there could be such a thing as a “surge” in popularity for Light Novels; they’re basically just romance novels written for men, which is, uh, not a terribly large demographic here in America.

This is too imbecilic to let pass. “Romance novels” for men — absolute nonsense. A “light novel” is essentially the Japanese equivalent of an occidental “young adult” book. Fuyumi Ono and Nahoko Uehashi are counterparts of such writers as Diana Wynne Jones,¹ not Harlequin romance hacks.

1. One of my favorite writers. Her book Howl’s Moving Castle is far better than Miyazaki’s botch of a movie and is strongly recommended. [↩]

I had intended to write a detailed comparison of the print and anime versions of Moribito, but I doubt that I will get around to it any time soon, and I’ve loaned the book to friends. Here are some highlights from the post I’m not writing:

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