Specifically, GreyDuck and Wonderduck.

1. If you’d like to play along, reply to this post and I’ll assign you a letter.
2. You then list (and upload or link to the video, if you feel like it) 5 songs that start with that letter.
3. Then, as I’m doing here, you’ll post the list to your journal with the instructions.

So here are five tunes in the key of H. I’ll skip the obvious ones — you all know “Highway Star” and “Hardware Store,” right? And “Harold the Barrel” and “Happy Jack”? These you might not have heard before.

Ghost Hound was a major disappointment. I expected so much more from the Lain veterans. But the opening did introduce me to singer Mayumi Kojima.¹
Mayumi Kojima, “Himawari”

The Webb Wilder Credo: “Work hard, rock hard, eat hard, sleep hard, grow big, wear glasses if you need ‘em.”
Webb Wilder, “Human Cannonball”

Here are John Jorgenson, Will Ray and Jerry Donohue, and lots of guitar.
The Hellecasters, “Highlander Boogie”

To clear your ears, here is some finger-picking from a Winfield veteran.
Pete Huttlinger, “Hortensia”

Let’s finish up with a classic anatidean tune.
Raymond Scott, “Huckleberry Duck”

Here’s a more recent recording by David Bagsby and Kurt Rongey, alias “XEN.”

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Bonus H tune: What show does this come from?

Want to play? Leave a note in the comments, and I’ll give you a letter.

1. Some of her recent recordings can be found at amazon.com, but they don’t show her at her best. [↩]

… Japanese handbell choir-style.

It would have been nice if they’d worn sailor suits, but you can’t have everything.

(Via Terry Teachout and the Rat.)

More than you ever wanted to know about the Japanese music industry.

(Via Anime Instrumentality Blog.)

Speaking of mullets …

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In case there is anyone on the planet who still hasn’t seen the grandest of all Pythagorean devices:

Here’s a story and some videos about it.

(Via Steven Riddle.)

Update: here’s another noteworthy contraption currently under construction:

(Via the Borderline Sociopath.)

Life is complicated these days, and anime is low priority. I’ve heard good things about Kimi ni Todoke — I gather that the protagonist is Aspie-ish, which could be interesting, handled well — and I plan to download it when I see a batch torrent. Otherwise, though, nothing else recent looks worth the time.

A few random notes:

Via Pete, here’s a look at a deluxe Russian edition of Haibane Renmei.

Many in the otakusphere have been writing about the decade in anime. Uh, guys, you’re jumping the gun. Just as 2000 was the last year of the 20th century, 2010 is the tenth year of the first decade of the no-longer-new century, not the first of the second decade.

Disappointing musical news: Kayo is leaving Polysics. The band apparently will continue to tour and record, but it won’t be the same without her robotic persona and bleepy synths. Who else can possibly shake the pompons in “Peach Pie on the Beach”?

I bought myself a Christmas present, the basic edition of Filter Forge. It’s something like Reaktor for graphic artists: you can download thousands of filters made by other users, or you can roll your own from the tools provided (if you get a fuller version). There are a couple of examples below the fold. Warning: they’re based on a snapshot of myself, and I am not cute. Once you see them, you can’t unsee them.

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I doubt that anyone will be surprised by the first-place winner in the best anime soundtrack poll. Cowboy Bebop received more votes than the second- and third-place winners combined. I had expected that Noir would take second, but it was eventually overtaken by FLCL and Death Note. Here’s the top ten:

1. Cowboy Bebop (18.0%)
2. FLCL (8.0%)
3. Death Note (7.0%)
4. Noir (7.0%)
5. .hack//SIGN (6.0%)
5. Vision of Escaflowne (6.0%)
7. Lucky Star (5.0%)
8. Haibane Renmei (5.0%)
8. Macross Frontier (5.0%)
10. Mushishi (5.0%)

The other nominees were Ghost in the Shell SAC (4.0%); Princess Mononoke (4.0%); Azumanga Daioh (4.0%); Aria (3.0%); Code Geass/R2 (3.0%); Neon Genesis Evangelion (2.0%); Simoun (2.0%); ef: a tale of memories (2.0%); The Twelve Kingdoms (2.0%); Mai-HiME (1.0%); and, Last Exile (0.0%)

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So, who’s the worst character in anime? I changed the question to “most annoying” in the poll widget to make it clear that I’m looking for the most poorly conceived, pointlessly irritating or useless character, not the most evil. I added a couple more candidates whom I think should have been nominated, and I changed the representative of Sailor Moon to ChibiUsa, whom I had forgotten about.

Not anime, but of interest to science-fiction and music fans: Frëd Himebaugh of the Fredösphere has composed a fifteen-minute opera using Terry Bisson’s short story “They’re Made Out of Meat” as the libretto. You can purchase it here for 89¢. See also Frëd’s earlier posts here and here.

•••••

In case there’s anyone who hasn’t yet seen it, here’s the best Touhou video I’ve seen in a while:

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Catholic News Service apparently didn’t think to google the name they chose for their multimedia service.

I spent most of the weekend at the Walnut Valley Festival. It’s primarily devoted to acoustic string music, particularly bluegrass, but there were some items of interest to students of Japanese popular culture.

• The second-place winner in the fingerpicking championship was Akihiro Tanaka, from Kyoto, Japan. I wasn’t able to get down to Winfield on Thursday, when the contest was held, but the fingerpick winners made an appearance on the main stage Friday evening. Here’s what Tanaka played then:¹

• I spent several hours listening to the jam sessions at Carp Camp.² Here’s the tune that the campers call “Finish (sic) Polka.” It sounds strangely familiar.

(This is not my recording, but Carp Camp’s own from last year. The campers played the tune at least twice this weekend, but neither time did I have my recorder handy.)

• One of this year’s Carp Camp catchphrases (if you write it as a single word, you get six consecutive consonants. Can you think of any other English words like that?) was “Don’t hurt the old people.” The third Monday in September (usually the day after Winfield), is celebrated in the Japan as Respect for the Aged Day.

1. The sound is less than wonderful. Stage one is a noisy place. [↩]
2. I don’t bring my dulcimer to Winfield unless I’m camping. This year I day-tripped, so I just listened. [↩]

Congratulations to one of the otakusphere’s outstanding members of Anatidae, quacking on .mu.nu for four years now this week.

It’s time for the final round of the current poll: which anime has the best soundtrack? There was a five-way tie for seventh place in the second round, so there are twenty-one to choose from. You can only vote for one this time.

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Alex Ross, in The Rest Is Noise: Listening to the Twentieth Century, states that Schoenberg’s twelve-tone method of musical composition “… finally reached the silver screen by way of Scott Bradley’s inventive scores for Tom and Jerry cartoons in the forties, notably Puttin’ on the Dog and The Cat That Hated People.” Which gives me an excuse to post some High Culture, courtesy of Tex Avery.

The problem with the poll widget had to do with the update to the plugin, not WordPress 2.8. I was able to get the poll working again by dumping the new version of the plugin and reinstalling the previous one.

This is the second, and last, preliminary round. The top ten from this poll will advance to the final round. You can vote for up to three candidates.

Just for the heck of it, here are some excerpts from noteworthy soundtracks that weren’t nominated for the current poll.

Bakumatsu Kikansetsu Irohanihohito:

Binchou-tan:

Spice and Wolf:

Metropolis:

Arjuna:

… and a little music depreciation. Here’s a tune you might recognize, sung by Haruna Ikezawa.

After four rounds and over a thousand votes, we have a babe:

I’ll post the complete results sometime this weekend.

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There were 62 nominations altogether for the best anime soundtrack. I’m going to run two preliminary rounds of 31 each, in which you can vote for up to three candidates. The top ten in each round will go on to the finals.

Ideally, I should post excerpts from all the nominated soundtracks, but I’m lazy. If you want to campaign for your favorite, feel free to post a link to an illustrative video or .mp3 in the comments. (There are a number of such links in the comments here.)

… which Shinkai and Miyazaki soundtracks do you want to nominate for the next poll? The complete works of Makoto Shinkai are on my “buy” list, but I don’t have them in hand yet; and, I can’t remember a note of Joe Hisaishi’s music after any Miyazaki DVD ends.

Soundtracks nominated so far for the next poll:

Aria the Animation/Natural/Origination
Azumanga Daioh
Bartender
Bleach
Bubblegum Crisis OVA
Bubblegum Crisis 2040
Code Geass/R2
Cowboy Bebop
Death Note
ef: a tale of memories
Elfen Lied
Eureka 7
FLCL
Full Metal Alchemist
Haibane Renmei
Kaiji
Kamichu!
Macross Frontier
Madlax
Manabi Straight
Neon Genesis Evangelion
Noir
Oh! Edo Rocket
Princess Tutu
Record of Lodoss War
Revolutionary Girl Utena
Shigofumi
Shigurui
Simoun
Tengen Toppa Gurren-Lagann
True Tears
Vision of Escaflowne
Welcome the the NHK

A few others were mentioned, but I’m not sure that they were meant as nominations:

.hack// et cetera
Vampire Princess Miyu OVA
Vampire Princess Miyu TV
Witch Hunter Robin

Some other soundtracks worth considering:

Ah! My Goddess: The Movie
Angelic Layer
Binchou-tan
Denno Coil
Interstella 5555
Kaiba
Macross Plus
Metropolis
Mushishi
Paprika
Saiunkoku Monogatari
Shingu
Someday’s Dreamers
Sugar, a Tiny Snow Fairy

What else? I’m sure I’m forgetting something obvious.

Also, would someone care to nominate a specific Miyazaki movie OST?

Mao-chan goes on too long. It’s based on a clever notion and is executed with considerable charm, but the writers weren’t inventive enough to keep it consistently interesting through 26 half-length episodes. The story meanders through many standard anime situations: the sports festival, the beach episode, the hot springs episode, the bunny suit, the maid uniform. They’re not complete wastes of time — the beach episode is one of the better ones, in fact, though not because of the beach — but they mainly serve to let us spend time with the girls rather than advance the story, and Mao and Misora aren’t particularly interesting characters. The series would have been better overall had it been shorter and more focused.

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Pete says that baseball is

A game without discernable rules or purpose; I deduced that teams compete to collect points, but those are awarded arbitrarily, so the formal objective does nothing to add any sense to the proceedings.

I just happened to digitize The Button-Down Mind of Bob Newhart last week. Here’s Newhart’s take on baseball from about 50 years ago:

While I’m uploading audio, here’s a selection from another curiosity I came across: string quartet arrangements of music from Rozen Maiden. Here’s a sample:

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I have jury duty this week, so I’ll probably be spending the days at the courthouse and the evenings at the office. See you all next week.

Update: I was spared jury duty. (Actually, The plaintiff in the case I was in the pool for had suffered a broken ankle and knee injuries. It was no surprise that I wasn’t empaneled, given my own broken ankle and knee problems.)

When the Fnools invaded Earth, they disguised themselves as two-foot-tall real estate salemen, figuring that no one would take them seriously until too late.¹ The aliens in Mao-chan adopt a similar strategy: by assuming mercilessly kawaii forms, the invaders make the Japanese defense forces reluctant to engage them in combat, lest the human soldiers be seen as bullies. The Japanese fight cuteness with cuteness: the head of the land forces enlists his eight-year-old granddaughter, Mao, to battle the invaders, arming her with a baton, a full-size model of a tank, and a clover-shaped pin that transforms her into a not-terribly-competent but very cute mahou shoujo. Mao soon is joined by a couple of other eight-year-old girls: Misora, representing the air force, and Sylvie, representing the navy, both recruited by their doting grandfathers. Mao and Misora are ordinary grade-school girls, as kids in anime go, but Sylvie is distinctly Osaka-ish.

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1. See Philip K. Dick’s “The War with the Fnools.” [↩]