It’s time for the final round of the current poll: which anime has the best soundtrack? There was a five-way tie for seventh place in the second round, so there are twenty-one to choose from. You can only vote for one this time.

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Alex Ross, in The Rest Is Noise: Listening to the Twentieth Century, states that Schoenberg’s twelve-tone method of musical composition “… finally reached the silver screen by way of Scott Bradley’s inventive scores for Tom and Jerry cartoons in the forties, notably Puttin’ on the Dog and The Cat That Hated People.” Which gives me an excuse to post some High Culture, courtesy of Tex Avery.

The problem with the poll widget had to do with the update to the plugin, not WordPress 2.8. I was able to get the poll working again by dumping the new version of the plugin and reinstalling the previous one.

This is the second, and last, preliminary round. The top ten from this poll will advance to the final round. You can vote for up to three candidates.

Just for the heck of it, here are some excerpts from noteworthy soundtracks that weren’t nominated for the current poll.

Bakumatsu Kikansetsu Irohanihohito:

Binchou-tan:

Spice and Wolf:

Metropolis:

Arjuna:

… and a little music depreciation. Here’s a tune you might recognize, sung by Haruna Ikezawa.

After four rounds and over a thousand votes, we have a babe:

I’ll post the complete results sometime this weekend.

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There were 62 nominations altogether for the best anime soundtrack. I’m going to run two preliminary rounds of 31 each, in which you can vote for up to three candidates. The top ten in each round will go on to the finals.

Ideally, I should post excerpts from all the nominated soundtracks, but I’m lazy. If you want to campaign for your favorite, feel free to post a link to an illustrative video or .mp3 in the comments. (There are a number of such links in the comments here.)

… which Shinkai and Miyazaki soundtracks do you want to nominate for the next poll? The complete works of Makoto Shinkai are on my “buy” list, but I don’t have them in hand yet; and, I can’t remember a note of Joe Hisaishi’s music after any Miyazaki DVD ends.

Soundtracks nominated so far for the next poll:

Aria the Animation/Natural/Origination
Azumanga Daioh
Bartender
Bleach
Bubblegum Crisis OVA
Bubblegum Crisis 2040
Code Geass/R2
Cowboy Bebop
Death Note
ef: a tale of memories
Elfen Lied
Eureka 7
FLCL
Full Metal Alchemist
Haibane Renmei
Kaiji
Kamichu!
Macross Frontier
Madlax
Manabi Straight
Neon Genesis Evangelion
Noir
Oh! Edo Rocket
Princess Tutu
Record of Lodoss War
Revolutionary Girl Utena
Shigofumi
Shigurui
Simoun
Tengen Toppa Gurren-Lagann
True Tears
Vision of Escaflowne
Welcome the the NHK

A few others were mentioned, but I’m not sure that they were meant as nominations:

.hack// et cetera
Vampire Princess Miyu OVA
Vampire Princess Miyu TV
Witch Hunter Robin

Some other soundtracks worth considering:

Ah! My Goddess: The Movie
Angelic Layer
Binchou-tan
Denno Coil
Interstella 5555
Kaiba
Macross Plus
Metropolis
Mushishi
Paprika
Saiunkoku Monogatari
Shingu
Someday’s Dreamers
Sugar, a Tiny Snow Fairy

What else? I’m sure I’m forgetting something obvious.

Also, would someone care to nominate a specific Miyazaki movie OST?

Mao-chan goes on too long. It’s based on a clever notion and is executed with considerable charm, but the writers weren’t inventive enough to keep it consistently interesting through 26 half-length episodes. The story meanders through many standard anime situations: the sports festival, the beach episode, the hot springs episode, the bunny suit, the maid uniform. They’re not complete wastes of time — the beach episode is one of the better ones, in fact, though not because of the beach — but they mainly serve to let us spend time with the girls rather than advance the story, and Mao and Misora aren’t particularly interesting characters. The series would have been better overall had it been shorter and more focused.

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Pete says that baseball is

A game without discernable rules or purpose; I deduced that teams compete to collect points, but those are awarded arbitrarily, so the formal objective does nothing to add any sense to the proceedings.

I just happened to digitize The Button-Down Mind of Bob Newhart last week. Here’s Newhart’s take on baseball from about 50 years ago:

While I’m uploading audio, here’s a selection from another curiosity I came across: string quartet arrangements of music from Rozen Maiden. Here’s a sample:

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I have jury duty this week, so I’ll probably be spending the days at the courthouse and the evenings at the office. See you all next week.

Update: I was spared jury duty. (Actually, The plaintiff in the case I was in the pool for had suffered a broken ankle and knee injuries. It was no surprise that I wasn’t empaneled, given my own broken ankle and knee problems.)

When the Fnools invaded Earth, they disguised themselves as two-foot-tall real estate salemen, figuring that no one would take them seriously until too late.¹ The aliens in Mao-chan adopt a similar strategy: by assuming mercilessly kawaii forms, the invaders make the Japanese defense forces reluctant to engage them in combat, lest the human soldiers be seen as bullies. The Japanese fight cuteness with cuteness: the head of the land forces enlists his eight-year-old granddaughter, Mao, to battle the invaders, arming her with a baton, a full-size model of a tank, and a clover-shaped pin that transforms her into a not-terribly-competent but very cute mahou shoujo. Mao soon is joined by a couple of other eight-year-old girls: Misora, representing the air force, and Sylvie, representing the navy, both recruited by their doting grandfathers. Mao and Misora are ordinary grade-school girls, as kids in anime go, but Sylvie is distinctly Osaka-ish.

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1. See Philip K. Dick’s “The War with the Fnools.” [↩]

Odds and ends, some of them involving animation, Japan or spandex.

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Banshee on Ohayocon:

And to make matters worse, the other events were a cheerleading convention and a Christian youth group convention. I mean, not necessarily antagonistic if physically separated… but apparently the Witchblade cosplayers kept walking into the youth group talks, and that’s just not going to end well….

She’s also been posting singable translations of the songs from the Natsume Yujinchou series. If I understand what she’s doing correctly, these are paraphrases of English translations she’s found.

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I’ve been doing everything but watching anime lately. I’ll get back to it — I’ve got Tokyo Godfathers sitting next to the computer, and I want to watch the rest of at least the first season of Natsume Yujinchou — but right now there are other priorities. In the meantime, here’s a curiosity: a piano version of a tune you might recognize.

What I saw of Hare & Guu left me indifferent, but this ending is an outstanding production number. It’s my pick for the best anime ending, at least for today.

http://tancos.net/flv/wp-content/uploads/GuuDlxEd.flv
Jungle wa itsumo Hale nochi Guu Deluxe, “Fun Fun and Shout” by Sister Mayo.

You can see the videos in full size at my video weblog, and you can compare my list with Astro’s.

Number two. Astro and I have very different tastes, but we agree on this one:

http://tancos.net/flv/wp-content/uploads/Maromi.flv
Paranoia Agent, “Shiroi Oka – Maromi no Theme” by Susumu Hirasawa.

Merry Christmas, everyone, and I hope you didn’t get Maromi plushies among your presents.

Now see if you can guess what number one is. Go on, I dare you. I will be astonished if anyone comes close.

Number three:

http://tancos.net/flv/wp-content/uploads/ExcelEnd.flv
Excel Saga, “Menchi Aishou no Bolero” by Excel Girls. I’m not posting the clean version because the words matter, and because some who frequent this corner of the otakusphere might recognize one of the names in the credits.

Number four on my list of best endings:

http://tancos.net/flv/wp-content/uploads/dennocoilending.flv
Denno Coil, “Sora no Kakera (空の欠片; A Fragment of the Sky)” by Ayako Ikeda. (The karaoke is annoying; I hope this is licensed soon so I can post a clean ending.)

Number five on my list of best endings:

http://tancos.net/flv/wp-content/uploads/oedo-ending2.flv
Oh! Edo Rocket, second ending, “I Got Rhythm” by Natural High.

http://tancos.net/flv/wp-content/uploads/oedo-ending1.flv
I like both endings, so here’s the first as well: “100 miles~Niji o Oikakete” by Santara.

Can you see the mp3 player?

How about this one?

I post a lot of music on my other weblog, and recently I’ve been receiving reports that the music players are not appearing on the page. I wonder if that’s a problem here, too, since this also runs on WordPress.