The Kawaii Menace

I’m not in the mood for deep thought and critical analysis, so here are the annual Kawaii Menace Anime Awards.

Best idiot, male: Isaac Dian, Baccano!
Best idiot, female: Miria Harvent, Baccano!
Least enviable magical (or quasi-magical) ability: Sawaki’s in Moyashimon
Most noble dog: Densuke, Denno Coil

Best spacesuits: Rocket Girls
Best resident deus ex machina: Oh! Edo Rocket
Most accurate botany: Mokke
Worst animated vehicle: Rocket Girls

Best battle: episode four, Denno Coil (Runner-up: episode three, Seirei no Moribito)
Most shameless almost-but-not-quite plagiarism: Oh! Edo Rocket OST
Best opening song: Mayumi Kojima, “Poltergeist,” Ghost Hound
Best ending song: Polysics, “Rocket,” Moyashimon
Best completely extraneous musical number: episode ten, Oh! Edo Rocket
Ugliest musician: episode four, Mononoke
Most popular current series I haven’t the slightest interest in: Clannad
Best fusion of kawaii and kowai: Guchuko, Potemayo
Worst behavior from good kids: Manabi Straight opening

… and others as I think of them. Later. Right now I’m heading back to bed.

Addendum:
“Kids Say the Darndest Things” award: Czeslaw’s request of Ladd, Baccano!
Best show for children and adults: Mokke
Best choreography: Lucky Star opening

There were a lot of firsts for me last Wednesday: first broken bones; first ride in an ambulance; first morphine; first surgery by a doctor I’d never met (and still haven’t talked to. I’m trying to make an appointment to see her for the follow-up on the operation, but her office hasn’t yet returned my call). You can see the before and after pictures of my ankle here and here. I’ve spent most of my time since then lying in bed with the left leg iced and elevated. I’ve read some and listened to a few CDs, but mostly I’ve been too drowsy to do much of anything at all. I’m starting to feel a bit more awake now, so maybe I can start posting a little.

Some good news for Steven: it looks like there are plans for a Strike Witches TV series. I’m ambivalent, myself. The eight-minute OVA was perfect in its way (and perfectly absurd); a regular series, even if done well, is going to seem diffuse in comparison.

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I’ve got the week off. I’ve been reading Diana Wynne Jones rather than than watching anime, though, so I don’t have much to report. I have noticed that many recent visitors find this weblog through searches involving the terms “gothic,” “lolita,”, “Kei” and “Moyashimon,” which makes me apprehensive about the second half of the series. I suppose Kei does look a bit girlish, but I doubt that he’ll be as charming as Aspergillus. (If I were to tell a young woman that she’s as cute as a fungus, would she understand that I mean it as a compliment? Probably not.)

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We have an uncommon event here in Wichita: a white Christmas. That happens maybe once in ten years.

I considered posting a tune from the Sailor Moon Christmas albums today, but I’m not sure that punishing your readership is a good idea. If you would like to hear some less-familiar Christmas carols, there are some MIDIs on my other weblog.

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Not anime, but geeky: mathematical needlework; crocheting a Sierpinski triangle; a how-to book, with projects and papers. (The first link may be slow to load.)

You find the damnedest things on YouTube. While checking if there was anything recent featuring Umezu Kazutoki, I found some Japanese Klezmer:

Courtesy of “RonPaul2008,” I finished Denno Coil this evening. Although the final revelations, ingenious though they were, were perhaps a little too tidy — has there ever been a really good mystery for which the ultimate explanation wasn’t a bit disappointing? — the resolution of the story of Yasako and Isako was satisfying. The focus of the last episode was on Isako’s choice, where it belonged, and not on the technology and gimmicks. Although the comparisons to Miyazaki and Lain are valid, in the end Denno Coil reminded me most strongly of Haibane Renmei in its concern with grief, guilt, despair and pain, and friendship.

*****

Before I watched the end of Denno Coil, I viewed the conclusion of the utterly different Oh! Edo Rocket. The final episodes are of a piece with the rest of the show, as off-the-wall as ever, with cat-people and references to Gurren-Lagann, and just enough drama to keep the story from dissoving into sheer silliness. There may have been a few better shows this year, but none were more fun. I posted on my video weblog a brief excerpt from the epilogue which reveals a fact that NASA has hitherto kept secret.

I’ve finally had time to catch up with Denno Coil. As of this evening, I’ve watched through episode 22. Episode 23 is a recap, so this is a good moment to catch my breath and maunder a bit.

The question is not whether Denno Coil is the best show of the year — I haven’t seen a better series in long time — but whether it will rank among the classics of the form. I hesitate to label anything a “classic” until it has aged at least ten years, so check back in 2017 for my verdict. Unless Mitsuo Iso completely blows the ending, though, I expect my judgement will be positive.

It’s not perfect. Denno Coil shifts gears at the midpoint and becomes a darker story. My initial impression of the series was Serial Experiments Lain as retold by Hayao Miyazaki. The first half evokes Miyazaki, with bright, lively girls and myriad little imaginative touches. The second half tends more toward Lain. There’s menace in the virtual worlds, and the stakes are high. It’s as if Iso decided to stop playing with his imaginary worlds and focus on the plot. It’s a good story — a very good story; I’m impatient for Ureshii to finish the last two episodes — but I miss the fun of the early episodes. AniPages Daily notes that Iso wrote the scripts for the first fourteen episodes by himself but shared the writing credits on the later ones, and that probably has a lot to do with the shift in tone.

Still, it’s as good as anything I’ve seen since Haibane Renmei. I particularly like the soundtrack by Tsuneyoshi Saito. A friend commented that she could easily imagine it adapted for use as a ballet score, and I recommend it to any chamber music ensemble or small orchestra looking for new repertoire.

*****

Update: I’ve watched Denno Coil through episode 24 now. The build-up to the climax reminds me strongly of the last episode of Haibane Renmei. I’ll find out soon enough how far the parallels go between the two Yukos and Rakka and Reki, so no spoilers in the comments, please.

I posted a couple of excerpts from the OST earlier, here (the last in the first set) and here. Here’s one more, “Nazo.”

3,500 Nutcracker pictures. Gah. I’ve gone through them all, selected the best and cropped and edited them and burned a stack of CDs for the dancers and crew, and I am done, done, done. Life can return to what passes for normal around here. Maybe I can even watch some anime. (The morbidly curious can see a selection of the pictures here.)

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Congratuations to Avatar.

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What happened to Astro? (Update: he’s back, sorta.)

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I probably will add Tengen Toppa Gurren Lagann to my “buy” list. I did watch the first two episodes and was not entirely unimpressed. Since this was a Gainax series, though, I decided to wait until it completed its run and see what the final word was before investing any more time in it. By all accounts the show succeeded on every level and is probably one of the best of the year.

I can’t resist posting the Gurren Lagann Jack:

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Every time I hear someone say “Ohayo,” I have a strange urge to reply, “Illinois.”

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When I lived with my folks, I got stuck every year with taking down the Christmas tree, which by that time was thoroughly dried-out and prickly. It was not much fun. Since then, I have never had the slightest interest in putting up my own tree. However, if I were to decorate a Christmas tree, even though it’s utterly inappropriate, I would like to include a Belldandy angel among the ornaments.

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Sooner or later I’m gong to want to upgrade to a more recent version of WordPress. Before I do, however, I want to make sure that I can still post the occasional phrase in Japanese characters and not see “???.” When I upgraded my other weblogs, I lost this capabiity, even though the selected character set is still UTF-8. How can I make the Japanese look the way it’s supposed to?

Is there any mecha show worth watching? Until recently, my answer would have been “no.” None of the Gundams look the least bit interesting. I quit Evangelion after five episodes. I did make it all the way through RahXephon, though it gradually became clear that the creators had not thought their story through before they started. There are some shows with mechas that are worth watching, e.g. Nadesico, but in these the mechas are not central to the story. So, when I first read the synopsis of Bokurano, I figured it was something I could skip.

Bokurano got relatively little attention in the otakusphere during its run. I did notice, however, that the writers who followed it to its conclusion were ones whose opinions I take seriously, e.g., Owen and Concrete Badger, so I figured that perhaps I ought to check it out. I just watched the first four episodes, and, yes, it is something out of the ordinary.

Fifteen kids on a summer school field trip discover a cave filled with computers and other technology. There they meet a man who calls himself “Kokopelli.” He invites them to beta-test a new game, in which a giant robot they pilot defends the Earth from alien invaders. It sounds like fun, but they learn that the robot is for real, and so are the invaders. After demonstrating the robot’s use by fighting a giant mechanical insect, Kokopelli vanishes, saying “I’m sorry.” Perhaps it really is ultimately a game, but the damage wrought by the robot and invaders is immense, and there is a cost to piloting the robot. If someone dies during the game, there’s no resurrection.

The premise is rather dodgy — there had better be a damned good explanation before the series ends — but the characters are well-developed and distinctive. Each of the fifteen kids is different. Few of them represent any of the standard anime types. Some are good kids; others are jerks. I have no trouble keeping them all straight. Each of the kids has a family, and the families matter. The second and fourth episodes are more about fathers and sons than giant robots, and I expect that most of the remaining episodes will focus on exploring the character of each kid as he takes his turn directing the robot.

I probably will watch the rest of the series when I have time. Even if the show does turn out to be as good as the first four episodes promise, though, I hesitate to recommend it. It’s a cruel story in which anyone can die, and the main characters are all youngsters.

Goodbye, Bad Behavior, the plugin that apparently prevented me from accessing my own weblog.

• It’s okay to be an idiot if you’re extroverted and enthusiastic.

• There is a lot of blood in the human body.

• Corporeal immortality isn’t necessarily a blessing.

• For every psychopath, there is an equal and opposite counter-psychopath.

• Don’t overlook the timid milquetoast.

• Befriend any homunculus you meet.

• There are ways of dealing with immortal thugs.

• Share your windfalls.

• If you want a conductor’s uniform, buy your own.